Velderev


#1

Velderev

Hi,

I created this Fantasy Landscape - Velderev - with 100% photographic stock using only Photoshop.

I first sketched the scene that I wanted to create on paper. From this sketch I created concept art to help me with the element selection. Then I started to look around for the elements to use in the matte painting. Whenever I found something I felt was a potential fit I would photograph it or search for a photo in my (constantly expanding) photography library. Sometimes it would take weeks before I managed to collect all the required elements. Once I had all the elements together it could take another 160+ hours to put it all together. I used Photoshop and also have a Wacom Cintiq which makes the concept art much easier. (Yes I know I could create some elements in software like DAZ, Vue or Maya but I wanted to make sure it is all photographic content)


#2

Hi Tanya,

I am jealous of your Cintiq! :slight_smile:
First I’d like to say that this is a nice perspective. It really captures the fantasy genre you were going for. I can see a dragon storming the castle from above or blowing fire on the village as an army fights it from behind. Although the mood, which is very calm and static may add to a narrative, adding some dynamics to the scene (maybe some torches along the castle or a creature imposing on the safety) could make it more compelling. I would love to walk on that bridge and experience the vertigo. Would you like to tell us the story between the village and castle? Thanks for sharing and please do it again sometime. :slight_smile:


#3

pretty cool, really like this. I’m impresses that this is all photographs.


#4

Good work!

The only think I would question is cutting off the top of the castle - it makes the piece feel cramped and claustrophic, and generally that kind of cropping is done to put the focal point on something happening in the scene, like people crossing the bridge - or, a dragon attacking. If you showed the entire castle, with space above it, it would have more of an epic, landscape feel to it, and make the castle itself the focal point.

I’d look at your colors, it looks a bit muddy overall - I’d boost more cool colors in the distance, and in the shadows - since you have a lot of reds and yellows, I’d say use more purples, than green or blue, and the juxtaposition of red/yellow against purple will accentuate the 3d space. (The eye can’t focus on two colors that are across the color wheel from each other, which is why they use red/blue for 3D. Putting them together “vibrates” in the eye, and can give you a feeling of depth) (Don’t you love color theory?) Also, castles are typically built with local stone, I’d add more of the local color to the castle, to make it blend in a little more. Not a lot - just a little to blend.

I would also remove one of the rivers. Not only is it impossible looking, but the triangle they create distracts from the composition, and traps the eye. The human eye looks for shapes first, and that triangle literally screams at you. You don’t need to justify the bridge, as the height of the castle, and being on an outcropping does - I’d remove the rivers in front, and have it in the background behind the rocks.

The roofs on the village are’nt working, the level of detail is off - perhaps some faint indications of rows of tiles? They look out of focus.

The only other thing I’d add is signs that people actually live there. Props. Banners. Horses. People walking. A castle like that would have people going back and forth across the bridge all day. Watchmen in the ramparts. Stuff like that. Maybe some smoke from chimneys - castles are cold, dank places.

Hope this helps!


#5

Thanks Billy.

I really appreciate your feedback. It helped me to put a few loose strings together.

Do you have a suggestion on learning more about the colour theories you explained as I would like to learn the advanced colour techniques behind concept art.

Thanks,
Tanya


#6

I studied illustration in college, and was fortunate to have several professors who excelled in color theory, my school didn’t offer a specific class in it. There are good books out there about it, I’d start there. I love color theory, i used to just sit and mix paint for hours, discovering things! I was also trained in color correction for printing and publishing in my professional field, which gave me even more in-depth knowledge of color.

So, I don’t really have one source for you - like I said, there are books, a lot of traditional art books are good sources, and google brings up a lot of free reference. Color theory is complicated and deep enough, you could easily base an entire career on it, there are companies like Pantone and the big color labs that deal with pure color, or color theory as applied in fine art.

I would start with color composition and color harmony, which involves color theory, but is more about art than the science of color, which is about wavelengths and the cones of the eye (Yes, I got that deep into it, lol).


#7

Thanks again, Billy,

Sounds like you are thoroughly versed in this great subject. You’ve inspired me a great deal to dig into this way beyond what I’ve learned up to now.

Hope your projects are going well :cool:

Cheers
Tanya


#8

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