hi kosmaty
drawing from the mind is a wonderful goal. But it’s hard while often not necessary.
With that I mean that you can and should get a reference for everything you can. The masters you copy did not take the trouble to draw everything from memory or imagination when they could have someone take a pose which they thoroughly copied.
I say that as someone who neglected reference for a long time.
You can’t create something you don’t know and when you start to study life models or other reference in depth you soon discover that the human body is a field of more and more intricate studies which, in fact, never end.
So, my suggestion…:
strictly separate the two fields of studies.
When you are trying to learn form, be as nitpicky as you can. Doubt everything you see. Double check tilts. Spend hours on the drawing.
When you are practising creation of imaginary poses, leave out every possible detail. Concentrate on the gesture. On the curves (btw, you got some wonderful understanding for opposing curves in your studies…!
) , on the essence of the pose. Maybe even leave out the shading. If you want to incorporate light into your imaginary poses, you might consider switching from drawing to painting (digitally? Do you use any software? Or do you only work traditionally?) and then just blocking in roughly the masses you want to depict, again without any detail.
When you try to render out your imaginary poses you most of the time try to describe things you don’t know, thoroughly, and that’s the point the masters used reference (life models)
Finally, doing mastercopies is always a good idea. Do them as short as 2 mins for a complete drawing or spend days on them. Do 2/5/10 mins drawings of the same master drawing.
Explore everything. Post all you can…
Have fun
Mu
