Here is a series of questions that I’ve had over the years from potential students. If you don’t see an answer to a question you may have, post it here and I’ll do my best to answer it for you.
Thanks,
Sean.
[i]Q.[/i] [i]My aim is primarily 3d modelling, though I also want a solid foundation in
3d animation. What program, if there is one at your school would be best for this?[/i]
A. Digital Animation would be the program that you are looking for. We cover the basics in everything first semester with the exception of M.E.L and Dynamics (which you get second semester). We offer a modeling class in the first semester only, but allow you to focus your demo reel during second semester on whatever aspect of the course you like. You will also take a Life Drawing class during first and second semester, which will help you train your eye for visual art. Most people think of life drawing as making pretty pictures, while in fact its main purpose it to help you “see”.
Q. Who are your instructors? Who does, or have, the instructors worked for, in what capacity? How long, what and where have they taught? Are there any especially notable faculty?
A. All of our instructors currently work in the animation industry accross various studios in Toronto. The studio’s range from CORE Digital Pictures, Soho VFX, Yowza, Hatch, Starz Animation, George Elliot Animation, and Autodesk. (Those are the one’s I can recall at the moment.) Some of the Film work that I can name would be -The Incredible Hulk, X-Men II, Silent Hill, Curios George, Shane Ackers9, The Chronicles or Narnia: The Lion, the Witch and the Wardrobe, Resident Evil, Midnight Club 3, Fantastic 4: Rise of the Silver Surfer, Blades of Glory, X-Men: the Last Stand, Final Destination 3, Fantastic Four, Fire House Dog. Our faculty also have extensive experience in commercial, and television work. You will be working with some very talented teachers. I teach the animation curriculum, and my last studio job was Animation Director for Chris Landreths The Spine (to be released this year)
Q. Is it possible to speak with professors and program heads, to get a first hand appraisal of the program and what it’s best suited for?
A. You are currently speaking with the program head. This program lends itself extremely well to the film, television, and commercial industry, but is not limited to
only that. Many people end up freelancing with the skills they’ve gained while being here. You can work in Visualization for architecture, or product design. You work in the Motion Graphics industry to make station identifications, lower thirds for television programming or flying logos.
Q. What evidence do you have that graduates find success? Can you point out
successful graduates? Do you have statistics on how many students out of the total number of students have been hired by what companies in different years of your program? Are there any especially notable alumni?
A. This is a question that I get often, and its a good one to ask. Other than putting you in contact with our successful grads, (which is possible) I don’t have any other way of pointing out the successful ones. The question of percentage of successful grads is tricky. I can say that the rough percentage of each class that is hired into the animation industry is about 60 - 70 percent over the course of the first year out of school. This number will fluctuate with what is happening around town, and what kind of projects are coming into the city. The animation industry is fuelled by projects, so the need for artists is based on when the companies have the work. Pretty much all of the work is contract. Full time positions are available, but usually go to senior staff who have contributed to the studio for a few years on contract. Sometimes there is a big need for employees when April comes, and sometimes not. I have seen almost entire classes hired, and on the flip side, entire classes waiting for months before anyone gets a job. What I say to individuals, is if you work smart, and work hard, you will be in a good place to find a job at the end of the school year. There are no guarantees in this industry, but I can tell you that when you finish, you will have all the necessary tools to go out and find a job.
Q. What international/industry recognition can you show? Are there articles about your school I should read, awards you’ve received, etc?
A. If you google “Ryan” and “Seneca” you’ll find a whole bunch of articles that outline our participation in the Academy award winning animated short Ryan. Here is one link I found on the first page of google. http://www.studyincanada.com/english/news/pressrls.asp?ID=706&From=
Q. How long has the program been running?
A. This program used to be a four month program at an older Seneca campus, and I’m not sure how long is was running. We’ve been in our new location, with our revised curriculum for 6 years now.
Q. What type of equipment do students of your program and school have access to? What programs and what version of those programs? What other facilities? How many work stations per student, will there be enough to avoid my having to wait for equipment? Will I have my own work station and what would that include if so? Will I have 24/7 access to the facilities?
A. We are currently running Sun workstations. I don’t have the stats in front of me right now, but they 4 dual processors, 2.5 gigs of ram, nVidia quadro cards and we run windows xp. All of our monitors are 20 inch lcd. Between each pair of workstations is a slave monitor, which shows what the teacher is doing up at the front on his/her computer. We also have a projector which also shows what the teacher is doing, so following along isn’t a problem. We’re running the latest version of Maya. Currently our group is working on Maya 2009. The classroom can accommodate twenty students, but our classes are usually around 12 - 15 students. In the fall, you will have the station to yourself. We also have an intake in January, so we bring in another group of students so we do share the workstations for second semester, but I have not seen students waiting to have a computer free based on the numbers we actually let in. The facility is 24/7 with the exception of a week or two during the Christmas break, and stat holidays like Easter Monday.
Q. How is time balanced between art foundations and 3d modeling and animation?
How is the teaching of art foundations handled? What areas are covered, and to what depth? Are other, non art/3d related classes required? If so how is this handled?
A. We don’t have separate classes for teaching the art foundations. (although you will take a 4 hour life drawing class once a week) We expect that you will have a solid understanding of the basics, which you will show in the portfolio that you submit for consideration into the program.
Q. What is the location of your school, and more specifically, the location in which the program I would be attending? Does your school offer any assistance in finding living accommodations? Is on campus accommodation available?
A. We are located in the Seneca@York campus which is up at York University on Keele, between Finch and Steeles. Our mailing address is 88 The Pond Rd. Toronto On. M3J 3M6. There is a Seneca housing website at https://yourfuture.senecacollege.ca/services/housing/index.ezc;jsessionid=8883616723DB2B35592D5DD8EAF1BEC0
Q. I plan on focusing solely on school while in the program, and strongly prefer not to have to work while in the program. Does the school provide services to help me find loans?
A. We also prefer that you do not have a job while you study Digital Animation. You can take a look at http://www.senecac.on.ca/registrar/financialaid/ to see if you qualify for Grants or Bursaries.
Q. What scholarships or bursaries are available for this program? Does the school provide any support in finding financial support for me?
A. See answer above.
Q. How long is the course? Why is your program that length?
A. The course is 8 months. It runs from the first week of September, until the third week of April. Our program is that length for a couple of reasons. The first is that by the end of 8 months, you should be able to continue your learning on your own. (You will never stop learning in this field) The second is that anything longer would be more than is needed. (We don’t make films, we make demo reels)
Q. What periods of study are available?
A. September - April, and January - August.
Q. What do I graduate with?
A. Certificate.
Q. Does the program offer a co-op program? What contacts within the industry do you have? What other help with finding a job does the school supply?
A. We do not offer a co-op program. Once again, the industry you will be training for is very contract driven, so setting up a co-op with a studio isn’t easy. We have many great contacts in the industry, through our staff who work in the studios, and our grads who continue to work. We will have a few studio’s over the course of the year come in and talk to our prospective grads about the work they do, the up coming opportunities and what they are looking for in an employee.
Q. Does your school work or cooperate with particular companies in regards to the program in any way? What companies and how?
A. Each year we have an advisory committee meeting, which consists of studio reps coming together to discuss what we’ve done over the year, and what we want to do in the following year. They advise us on changes we want to make. We also run a summer program for graduates called the summer institute. We collaborate with major animation studios in town. Last year we worked on a short with Chris Landreth down at CORE Digital Pictures (I can’t name the film yet), supporting animation modeling and lighting. This year we’re working with Starz Animation on an in house short they’re developing.
Q. How does the program help me create my portfolio?
A. The whole point of our program is the demo reel. We don’t make films here during the course, because it is too much work to try and make a film, while learning the art and the software. We want you to have a demo in hand when you leave. Our curriculum is designed to help you create your demo at the end of the year. The digital tools class is all about compositing and reel construction. Portfolio and Presentation focuses on resume and cover letter writing, interview skills, networking etc.
Q. How would I find out if any of my course credits from University of Manitoba and Red River College are transferable?
A. You can contact the registration office at http://www.senecac.on.ca/registrar/index.html
Q. What benefits will I have as an alumni?
A. http://www.senecaalumni.ca/
Q. What is the cost of the programs you would suggest for me, are there extra costs I would be expected to pay? If there are extra costs outside of the tuition, how much would those be?
A. The course tuition is $9937.58 for Canadian students, and $12 922.20 (these are last years numbers, the course may be a little bit more Ill update when I get more info) for international students, and we have a $200 life drawing fee (covers all the model costs for the year, and include extra life drawing every night mon-fri) You will need newsprint and conte/charcoal for the drawing class, which should run no more than $100 for the year. I recommend that you have a portable hard drive, which should cost no more than $100 - $200 dollars. You will also want dvd’s to back up your work.