Rebecca: I’m sorry I don’t seem to be responding much to your work. With so many interuptions and distractions since I got up this morning it took me about five hours to write a message here regarding the progression of your work. It was quite long, because there was a lot I wanted to say! Then, I ckicked the submit button, and a window came up saying “Site cannot be found”! It took me a moment or two before I realized I’d LOST everything I’d written! I felt crushed and very very angry! I’m afraid I gave up. I couldn’t start rethinking the whole thing out again, and in any case I had to go out. I’ve been modelling for two separate life drawing classes all evening since five o’clock.
It’s gone midnight here now, so I haven’t much time; I’m up every morning at half five! Just putting it all into a nutshell, all I wanted to say is that I’m enthralled with the way your painting is going. I have mixed feelings about it. Sufficient to say that I’m glad to hear that your original progression has been saved. I was growing more and more excited about the way it was developing - especially since you started introducing colour. Having said that, I’m equally intrigued with your new progression! As you know, I am of the ‘old school’
and love using and experimenting with all the ‘traditional’ media. I am a firm believer that an artist’s personal character and emotion, as well as his/her personal ‘feel’ of a particular medium filters through in their work. At the present moment in time I’m inclined to believe that working digitally DOES induce one to strive to faithfully reproduce the resourse image. However, I AM open to presuasion!
I have been greatly impressed, especially, with glenn’s use of present day’s advanced digital technology to simulate traditional brushwork, and also with the work of Enrico, Rett and Burona.
I am really looking foreward, Becc, to seeing how the new direction you’ve taken with this develops. One thing I must say about all your work is that it bears your own personal hall-mark. All your drawings are strong and powerfull, and seem to add so much more drama than the model’s original image! It’s obviously the result of your profound knowledge of the internal structure of the human body.
I’m intrigued by this software that you and others are trying out, “Painter nine”? Is it a Coral product? I’m wondering if it is of the same series as the Coral product I have. I use Coral Draw and Coral Paint ELEVEN. I’m using it all the time, although not for the same purposes. I’m only scratching the surface with their facilities.
Ronnie.