Hi Guys,
Recently we’ve been receiving a lot 4K footage and was wondering what is your workflow for tracking?
Having the 4K footage seems good for the trackers to have more detail to hold onto, but working with the footage is cripplingly slow, especially if you want to check back the track and see if everything is sticking or make masks. (I only have 12GB Ram for Cache), so far I’ve had to pass on an FBX to the Flame Artists to check back.
Is there a way to proxy the footage within PFTrack that won’t screw up the track? also I’m working with Raw DPXs are there any formats that might be faster to work with?
Any feedback will be greatly appreciated. 
- Caspian