@JDex:
It’s in the text
Polar bear Dome
Foundation of the Hellenic World (FHW) is a privately funded not-for-profit cultural institution based in Athens with a mission to preserve Hellenic history and tradition. FHW was asked by a big client to make a Dome format movie about the effects of climate change. This film was going to be screened inside Domes in planetariums. Each frame needed to be a minimum of 3.2K and the film was run at 30fps. It was to show the story of a polar bear needing to migrate because their natural habitat has changed. The story of the polar bear is presented in stages and the whole film is created in CG.
FHW assigned the project to three VFX computer animation houses. Their in-house department, another house called Cinepos, and Yafka. With Vangelis Christodolou, the Head of 3D at FHW as director, Yafka was assigned to do the story of the polar bear and its hazardous journey from Antarctica into the stormy seas through hurricanes, earthquakes to a destroyed city engulfed in water ending up to a desert.
Every shot was a challenge. Making a dome project requires a five camera rig, each 90 degrees FOV at 1600x1600 resolution. Then using special software, they assembled the five images into one that has a fish eye appearance in order for it to be displayed correctly in the physical dome. Andrea Carvey had a detailed analysis of the process in HDRI magazine and he gave Yafka advice on how to do it properly.