but the school of fish would look static, if this was placed into a real world shot they would need to be animated? is this right, i’m talking about a real world matte painting. I think i need to understand what exactly a matte painting is. Am i right in saying that a matte painting is a background used in a final shot for film. ie, one example been Empire strikes back, the shot where Han and crew dismount the M.falcon on … the sky city (forget name
and greet Lando, we see an image of the ship and the cast walking away from the ship. To break this down the ship and background was a matte painting while the actors were comped into? What i’m trying to understand is that you couldn’t paint another ship onto the matte, say flying past in the background, because it would be static. Oh i’m really confusing myself 
Imagine this Atlantis matte painting when finished was wisked off to a film study and comped into a shot, would they see it as a problem if say you had a school of fish in the painting? or anything else that isn’t static? or say a nice scenic view of the alps that had a plane painted in the background would that be an issue?
Sorry for been a pain in the butthole, i’m just learning & trying to understand this from a generic point of view, if in a real world project do matte painters have to restrict themselves to static elements?
Anyway … 
Back to the contest, what’s next? after atlantis, do you guys have another one planned? can’t wait to try something else, i learnt alot from this one 
Thanks again - Dave.