Saying that that´s an extremelly biased opinion would be an understatement. :rolleyes:
If AOTC is a"brilliant piece of filmmaking", I wonder how that scale of values would rate REALLY “brilliant pieces of filmmaking”.
So, the only thing wrong are “a very few ropey lines of dialogue that take only a few seconds”, eh?
I wonder how the excruciatingly painfull bidimentional cardboard cut-out acting got past THAT review unscathed. 
Or the constant In-Your-Face “Look, Ma, this is CG too!” approach present twelve in every two frames.
Or the really awfull scenne transitions, the obvious plasticity of the whole experience, the really reh-tahded 2 years old humour like the torturing C-3PO gags, the “plot” my downstairs neighbour´s 12 years old could think of in his way to the school bus or… or… or…
You wanna know what´s THE sole interesting spot in this whole plainwreck?
I tell you what´s THE sole interesting spot in this whole plainwreck:
the scenne when baby Bobba grabs the helmet of his daddy.
It last only two frames at best but It´s the ONLY moment where you can spot some sort of emotion in the whole experience.
And that was probably the director of photography´s idea. :rolleyes:
