hi folks,
Enrique - the surface structures and reflections are starting to look really nice.
Magdalena - argh! This is awesome! Surely hell of a lot of work, but what strikes me as really remarkable is that you are working on it body part for body part. I always thought people at your level would work on the thing as a whole. I heard that da Vinci worked in a similar manner when painting (don’t know where though…) Keep the momentum! 
Glenn - funny… though your latest 3D compositions (two people embracing and interacting) had reached a new level of awesome I was wondering if the painting nerve never tickles you…
Good to see it does…
Ori… my main crit would be to not shade your drawing without darkening the surrounding space down. In the original the space around the figure is pretty dark, emphasizing the pale skin of the character. Your values actually are the other way round… dark skin against white bg. That way there is no way you can key the values appropriately.
Having left envelope stage, slowly tip-toe-ing into a block in. I am overwhelmed by the complexity of the pose…
Working pretty large so I have to knit the scans together:

not yet but it probably will be… so far I’m only using a hard brush with 25% opacity - that’s why the blending’s not very smooth yet…
I only did an outline with the grid transfer but I have the grid there as a guide all the time to make sure all the stuff’s in the right place 










