Queensoul,
I couldn’t ignore the outraged sound of bwaaa!
so I jimmied up a little review which I hope you will find useful. 

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My recommendation would be to trace, either traditionally or digitally, your image and refine and simplify your linework, not worrying about background shading yet. As you successively trace and simplify, you will gain more confidence with your linework ~ I can draw much more easily after that first initial sketch which is almost always for me a throwaway sketch, a way to get past that psychological barrier of fear. People often think that they have to get things right on the first try, but what is the principle behind that? Practice makes perfect, so always rework stuff you don’t feel worked out the first time.
Something I did after I graduated was to retrace a LOT of my old crappy drawings (using tracing paper), just to soothe my ego and feel that I actually DID know something about drawing. What I found when I made the leap to digital art was that it wasn’t a matter of me not knowing how to see, but it was a matter of the level of undos which you lack in traditional media, which, in some cases, can only be pushed so far. I found that doing a LOT of work which didn’t always turn out so pretty in the end, wasn’t so much building a Raphaelian portfolio so much as training my eye to see ~ such that, with the leap to digital work, I was so well-trained to work hard at getting results from the limitations of tradtional work, I was pleasantly surprised to find that indeed I was not retarded and could achieve much more and go much further digitally. Go figure.
The long and short of it ~ don’t be afraid to work and rework your drawings. The end result is not the purpose. The purpose is to train your eye to see. That is why they say that the better traditional artist you are, the better digital artist you will be. 
~Rebeccak
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[left]Ah, my boss has gone home, I can critique nude pictures until the cows come home! Or something. :rolleyes:

~Rebeccak
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