flyingP
Just curious, apart from Weta, did you get an impression of how the overall industry is developing in NZ ?, another 8 weeks and I’ll be back in NZ myself after a twelve year absence so any info would be most appreciated
It seems like the industry is doing pretty well over there, especially in wellington and in auckland. I didn’t talk to anyone NOT workin at weta (in the industry, I mean… I talked to lots of people not working at weta who don’t work in the industry, but… well… you know what I mean), so I’m not sure of any specifics… but I have a feeling it’s growing quite a bit. Have a great time going back! NZ is awesome. 
[b]Sagroth
[/b] Maybe that’s not your primary speciality, but reading your answers I’ve figured out that you want to have your own studio and make your own projects one day, so I’m really interested in your opinion.
It could be fun, but I’ve seen a lot of artistic people start their own studios only to have them (the studios) die a slow death & the people work themselves to… well… to death.
I’d be happy to start something up with a few friends, as long as I had someone to manage the show & get all the money for us while we created cool stuff. If there were money in film festivals… ahh…
So what do you think about skills of animation/vfx-heavy film director - is it essential for him to know at least basics of all animation/vfx technical stuff? Or should he just leave that 'tricky stuff' for specialized team and spend more time on actual directing craft?
I think it’s incredibly helpful for anyone to know at least a little bit about anything they’re working with. For example, if a director understands that when they say “I want wet hair flinging around and lots of water droplets all reflecting and refracting” that it’s going to be a hard and expensive shot, then that’s great because they can work with the vfx supervisor on making sure that it’s in the budget. However, it’s not necessary for them to know EVERY little thing about how stuff is done… just enough to respect the artists creating the work.
I know that in his early films (btw, what d'you think about them, honestly? :)) Peter Jackson had a lot of work in 'natural' vfx stuff. Do you think that helped him a lot while planning/making LotR trilogy?
Haha
I loved all of them except Meet The Feebles… just didn’t get into that one when I watched it the first time. It was funny the second time, but the first… ehh. Forgotten Silver is one of my fav films of his. I LOVE it. He and Costa did a great job with it. I do believe peter’s knowledge and love of fx and animation helped him quite a bit with LOTR. He was able to converse with us on a number of levels about how to get things done (not saying “do this”, but could understand when we said “that’s hard”). Plus it was just great hearing the stories from him and Richard Taylor about the things they used to do.
And lastly, if you for example want to be an animation film director, what skills are you going to improve for that purpose?
I would like to improve my “subtle” animation skills. I feel like that’s the real area I want and need to work on.
More to come folks… more to come. 