Well here is the image further down the line. The colour has been greatly rationalised since my last posting.
I have separated it into two to demonstrate the following:
Previously: most local (ie arm layer, head layer, chest layer etc) tone adjustments were done via a topmost adjustment layer set. This was uneconomical and confusing. I have now separated local adjustments onto local layers (seen in the left half) and the global ‘tweaks’ onto the topmost layer set (right half). It helps to keep a tidy file.
I have, in the process, tidied the file up visually. I shall post some before and afters in the forum to show what I mean.
I still have a long way to go. My progress is slowing down considerably (the last %10 takes longer than the first 90 etc) and I do not expect to have it finished until at least a weeks time.






