Isn’t that surprising, that after like 13 feature movies and countless additional projects, a lot of them involving compositing just as well as modeling, rigging, animating and everything else Neo needs to be reminded of the real world by…ahm…Mr.Expert from back home. My methods are made to suffice a very small team and even single artists to create International Awards winning visual effects without the requirement of strict pipelines or other conveniences that serve more convoluted work envirnoments. This is not to defend our late arrival at this common type of feature to have decent output buffers, but to express my annoyance to get lectured by someone, who appears to get more pleasure out of shouting louder than anyone else, instead of understanding how much we’re willing and enjoying to complete our tool to fit even the most traditional production environments. Late for you or not, you should cut us some slack, man! :hmm:
Besides, once we’re through with them altogether, there’s gonna be a really nice reason to start saying “Thanx” again, really. Although, clearly, it’s merely a faint hope of mine to ever hear you say “thanx” again. “Again” because I believe to remember that there was a time when you said that. But maybe that was just me interpreting?! :shrug:
I like the PSD idea. Our RLA should also get buffed out with it all, because I don’t think it is, yet. There are a bunch of formats that contain plenty of extra layers. I don’t know of all of them, but we’ll figure them out. Particularely, of course, the most common once and they’ll come first!
Taron