Grand Space Opera 2D Entry: Eric Truong

#113

walrus: Your so clever to come up with this idea, I will try that out. Thought I’m not a big player on different colour scheme on one component but never know it might just work out. The clouds below the spacecraft was actually added to balance the intensity, every thing in that image took an important role so thought that might tone down the image. I might take it out depending how well the city colours goes. Many thanks.

Gaia’s Herald and praguer28: Thanks guys, I originally wanted to go for the green tint because it was a slightly complementary colour to that red and with the blue and orange it was the perfect mix of colour combination as I first thought. But going back to the intensity issue it probably doesn’t work all to well. I will take up walrus opinion and see what it turns out to look like.

#114

If the city is too warm, it’ll shift too close to the spaceship, and you might lose the sense of depth/seperation.

I’d say, desature the city in the first version by 50%, then change the city lights to all cool lights, then randomly change some of the lights to warm lights.

#115

I’m not to sure about you guy’s but I think this is probably the best colour combination I could get. Maybe just a little too much green on the lights at this stage but I will get around that tomorrow. Still need to fill the backdrop lights on the city below the platform, apply a bit of depth of field so there will be a better balance on the focus point and a few touch ups here and there. A big that’s to Walrus, Gaia’s Herald, praguer28 and Lunatique for the thoughts and ideas.

#116

walrus: after a few attempt working on the idea you suggested I just couldn’t get the look and feel right. I seem patches of colours were forming on the build surface. But never the less thank you so much for the input. Even it didn’t work out it was worth the try and of course I still think your clever. Many thanks.

Lunatique: A very big thanks to you. At times when I’m stuck you come up with this great solution. I’m not too sure if this is how you imagined it, but it seem to work by me and makes logical sense, since lights can be in different colours use to uplift other parts of the image. Still needs a bit more work on it but its a great comprise to keep all the important colours within that frame. Many Thanks.

#117

Hey, no prob, it was just a wacky idea, the sort of thing you can never know if it’ll work until you try. But nonetheless, things worked out well: I think this new version is the most readible one you’ve done yet. Both the spaceships and the destiny machine beam all read well on the city backdrop. So good work! Not much left to do, it seems!

-mike

#118

Great work, finally witk the light, the building are not like the same, the energy spiral is always a good concept

#119

The colors are working nicely together. I think some buildings in the city might do with some less brighter lights - maybe a bit more blurry to break the constant sharpness of colors that you have right now in the city.

#120

Hi, The addition of your effects of lights blue are cool and
improves your images, I could suggest you benefitting from this light
to light like second light the vessels and one can the environment
good luck for the end.

#121

walrus: Yep, finalising it. Hopefully making to the end before the last minute countdown.

MDN67: Thanks, it has been a big challenge to get the lights working right. But glad its coming together.

Lovliebutterfly: Agree with you. I will try that, it breaks way from the constant repetitive patterns. Thanks.

Tranchefeux: Not quiet sure what you want to say in the post but thanks for dropping by. Is it something about adding lights to the vessels?

#122

Getting better and better, go on. I meant before some patch lines over the wings, yep. I think you must work on the closest aircraft to make it seem a little bit more realistic (BUT NOT MUCH) .

#123

This is pretty much it. I filled the back drop city lights and reconstructed the spacecraft wings. In addition I have push the intensity of the light beam a little stronger and made some minor fixes here and there. As a last option I have decide not to put in the Zephyr airship, its probably better without it since I want three main elements in this frame. The Destiny light beam being the most important, secondly the Lunar space craft and last of all which ties the whole piece together is the backdrop city. Just going to have a good night rest and have everything set up in the morning.

#124

looking nice, the stylization is very nice on your work. Keep it up!

#125

kuzgunoglu: thanks for your suggestion of adding patch lines to the wings. I’ve decided to take the Lunar spacecraft a little bit further with a new wing and some art nouveau lines to uplift styling.

||) |V| |^|: Humm just double checking what else needs to be done at the moment. I think its pretty much it. Thanks.

#126

Thought I run through a few close up before submitting the final work.

Destiny theory: This one is the process of the Destiny theory in action. Oxygen is collected from the lights rays released into the atmosphere breaking up invisible chemical substance and compressing them for mass collection.

#127

The Lunar spacecraft: The first batch of the elite Lunar spacecraft sent to the Zephyr city to reverse the charge of lighting rays and end the destruction on the global environment.

#128

The Destiny machine: The machine that generates the lighting rays for Oxygen collection. The machine that releases the light rays into the atmosphere.

#129

After a few months in the making its finally completed. A big THANKS to all of you for placing a comment and giving me valuable advice. Its been tough but I have learnt so much and enjoyed placing every pixels on the canvas. Being my very first digital illustration challenge I have already gone beyond what have initially expected. To see this finished is definitely big rewarding. Good luck to all the contestant.

#130

[center]The Destiny synopsis
[left]In 2035, the Zephyr organization known to produce high-tech military equipment formed an alliance with governments around the world in a secret project. Code name Destiny, its a formula discovery allowing mass volume of oxygen to be condense and be stored in a small containment for a first step Mars life experimentation. The Zephyr organization deceived the government and secretly expanded their collection around the globe, extracting majority of the air we breathe in the greedy for power and control.[/left]
[left] [/left]
[left]Now 64 years later what is left on Earth is the grand city of the Zephyr kingdom. The Governments who help discovered the formula were are force to retreat to the Lunar space station before Zephyr ruling became unstoppable. In Zephyr world of control, people are force to stay indoors and work as slaves for the exchange of oxygen. There home and work is in one building space, those who had connect to the power holders where the ones who could afford to socially step outside an open environment. On top of the world, the Lunar space station is now well prepared to reverse the cycle and save the environmental catastrophe and its human race from slavery.[/left]
[/center]

#131

I couldn’t help myself but had to jump back onto working the final piece as the clock ticks to the end. Just cleaned up some of the green lights patches in the backdrop below the platform and also had a go with the cloud effects around the Lunar spacecraft. Probably to incremental to be notice. All done, even the tiff image has been uploaded.
Many thanks once again to everyone for their help and professional advice, couldn’t have got this anywhere else. I can now take this learning experience and apply it to many other future work. Best of luck, hope everyone will go away being a winner.

#132

Fantastic finale Eric. You have done an excellent job throught. The concept is very futuristic. It has a certain idealness to it. The colors are great, the image has a nice depth to it. Great job!:thumbsup: :applause: