Education overkill or higher failure potential?

#19

Thanks a ton for the the help every one. I am starting to consider online courses, but I am not very knowledgeable on the topic so I definitely need more research into it before any commitments are made.

Since my original post I have been on a roller coaster of decision making. the people in my life are pressuring for the move, for example my parents are under the impression that I will suddenly be in an environment with other artists…even though I will still have to work out of my home to produce the portfolio. I feel like I will have to work more hours at a dead end job to stay afloat in LA, which would give me less time to develop my portfolio. I honestly can’t get a foot hold with the situation.

#20

Stay where you are. Post work online. Get feedback. Work to improve. Make a reel that’s good enough to actually compete for a position in a studio.

Then move.

Simple.

#21

School is a good option for many reasons. You can’t ask questions of a DVD. A Youtube video doesn’t have industry connections that can leaad you to a job. That being said, going to a school is no employment guarentee. But you can gain valuable skills and contacts with the right school. Look into one of the community colleges in the area. After gaining CA residence they are very in-expensive (about $45 a credit or about $135 dollars per class). Many have excellent classes and facilities. And many employ people in the industry just like Gnomon.

#22

Its definitely a tricky situation and unfortunately I feel as though it is a gamble where you have to go with your gut feeling. Sometimes, you wait looking for a job when you could have at least got 2 years more academic experience during that time. My advice? Set yourself a time limit to find a job and really dedicate yourself to the search (many people kid themselves they tried their best and really could have put more effort in when they look back) and if by the time you reach your time period you don’t have a job then sign up for the course. Student debts are the ‘best’ out of all the debts to have and I don’t think you should worry about paying them off as most people are in the same boat. Do what you know you will have the most fun and enjoyment doing, the rest will fall into place!

#23

Amen!

Read again if in doubt.

Cesar M.

#24

This. I will offer you my life as a example:

  1. Went to Westwood for a degree in Game Art and Design (Not a great school I stay away from it)
  2. Moved to San Francisco Bay Area with out a portfolio ready to get in the industry but a lot more jobs here then Colorado…

I spend my nights working on 3D models and watching DVD on acquiring new skills. Long story short stay were you are, make amazing portfolio that will get you a job THEN move to the place that has the most job saturation of what you want to do. Being there ahead of time has done me nothing other then let me network with more artist but I could of done that online. In reality if I could do it all over I would of stayed in Colorado and worked on a portfolio till I had something that was hire worthy then moved out here.

I personally learn faster in a school environment so I have registered for Gnomon and I know this is going to put me 100k+ in debt but that was my decision because of how I learn and because I had the funds available. Either way school can not promos you a job EVER and your work will speak the most of your skills to get your first job.

#25

I just wanted to go against the grain here and say that moving to LA before you have a job is honestly not as crazy as it sounds.

After I graduated, I thought I had a pretty solid portfolio, but the only responses I got were along the lines of “Hit us up if you’re ever in LA!” (at the time I didn’t know that summer is a notoriously slow time for VSFX regardless.)

Frustrated, I saved up just enough money to move out to LA. When my move was done I had $200 to my name and a job that paid $8/h. I managed to live that way in LA for 8 months (and I don’t mean in “the Valley” or Sherman Oaks or whatever - I had a legit LA address on nearly minimum wage with zero savings.) I’ve now been at one of the large VSFX facilities for over a year and I doubt they would have given me the light of day had I not happened to already be in LA when they were hiring.

My roommate moved to LA in February for similar reasons and has survived this long with no legitimate job. It is scary and insane seeming, but doable, and definitely not as insane as piling on 80k in debt. It only takes a $100 Greyhound ticket to call it a day and move back home if you truly have to.

Also, if you come out here (or for anyone who does) - GET YOUR FOOT IN THE DOOR HOWEVER YOU CAN. I cannot emphasize this enough! Apply for anything and everything you are remotely qualified for that is even vaguely related to what you want to really do. It is amazing what a small world it is once you’re out here.

#26

Hi guys, I just joined the forum specifically to ask this same question :hmm: Except I would be piling on the debt AND quitting a job I like to spend $40k/1 year on animation school in Vancouver (or $13k/year if I stay in Toronto). I’m a junior graphic designer…but I guess you could say I’m having a mid (or third :P) -life crisis, where I feel if I don’t go back to my first love of animation I will never do it. So I’m learning a lot online for free, now I’m looking at the Digital Tutors or Gnomon Workshops while I keep working. And next Sept I’ve decided to go to the cheaper schools because of your advice.

Question: I have a 3 year advanced diploma in Graphic Design…would this prevent me from working in the U.S. (I’m Canadian)? Should I take an additional 2 years to convert this into a degree, or just continue with working and learning animation?

Thanks everyone for your advice, sorry to thread hijack but it seems like people have a lot of experience with chasing your dreams :smiley:

#27

A degree ultimately doesn’t matter. I just landed my first big industry gig, and I’m half way through my 4 year degree. What I did have was a kick-ass portfolio, with the right connections.

#28

Hi to everyone. I have made my research and narrowed everything to GNOMON and AAU. There is just something that I would like to know if someone here can share some insight or anything. Its already clear that in the industry what really matters is the portfolio, demo reel and experience. As i see it I can even learn almost everything by myself online. From what Ive seen i like more GNOMON (Certificate) than AAU (MFA Degree/Diploma). In the I may like to work as a professor in an university, and I would like to know if an university would take more in consideration a (MFA Degree) than a (Certificate) even if you have a great portfolio and experience for a Professor position or it is in like the industry as I mentioned above that the portfolio and experience is more appealing.?

Any piece of advise or info will be welcome.!
Have a Great Day…!!!

#29

Depends where you want to teach. I have had many instructors who don’t have a degree. In most cases, you would need a masters degree.

#30

Thanks for the fast reply.! Umm those instructors were like entirely self taught and great portfolio or reel or did they have some certificate like one from Gnomon for example?

Could you give me some examples of universities or/and tell other people or place that I could ask this same question?

Thanks!

#31

To tell the truth Im a little scared of the ups and down of the industry for what Ive reading. Im just looking for other kind of related jobs when the projects are over or there are no jobs available in the industry or something like that so I can keep working and making money.

#32

Almost every instructor is different. One thing to keep in mind is that any experienced professional/instructor, entered this industry at a different time. A top notch reel that a student can make at home today, would shame those from the largest companies that long ago.

For example I’ve had a mix of teachers who worked on one major film 6 years ago, to 12+ year veterans from ILM. Typically though, it seemed artists were picked up through some connection, and learned everything on the job. Today it is far more competitive. The internet is filled with tutorials and trial versions of the highest end software. If you want to give yourself an edge, do whatever it takes to learn as much as you can.

#33

Everyone is nervous. I saw somewhere that out of the 1000+ employees at Weta, only 6 or so are staffed positions, there rest are all contract based. If you are truly passionate, you will find a way to make it work.

#34

Thanks for the answer Naren…! I just dont know why some place like Gnomon is so poor in accreditations compared to other places when in fact is the best or one of the best places to learn VFX.

#35

Due take notice, that one the biggest reasons why Gnomon, AAU, NYU, SCAD, USC, etc… are successful in job placements, is not only because of the program, but the people you meet. There is no one better to learn from than a current working professional.

#36

I’ve been to AAU and have met quite a few people graduated from Gnomon. These places only give you the opportunity to learn and make connection. Which only makes up 10% of the equation. The rest are entirely up to you: how hard you work, how good your reel is, and etc. It’s just like fine art, all you can do is keep working. And working and working and working to get good at it.

#37

Starting on March 9th and for 12 consecutive weeks we will be releasing as open source between 5 and 9 hours of video training per week in Maya Dynamics, RealFlow, and hopefully Nuke Compositing and VFX Production. Hopefully this will help.

Cheers

#38

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