Color of shadow


#1

Hi!,

Could you guys help me in some theory? I don’t have time to read all tutorials given in some sticky posts amd i guess answer to my question is more simple than phisics lecture. What does the color of shadow depends on? To visualize my doubt here is and example: http://www.thegnomonworkshop.com/img/gallery/gallery_pops/goerner/goerner_b.jpg
and i mean the shadow dropped by the huge (flying?) platform on the right. It is somehow a bit purple, for me it should be dark orange or desaturated blue.

Maybe you know some explanations of that phenomenon?


#2

Warm Light = Cool Shadow

Cool Light = Warm Shadow

It’s the closest thing to a scientific principle that you’ll find in painting. I’m paraphrasing Richard Schmid btw.


#3

It comes from the color of the sky mostly ~ the shadow is where the (warm) sunlight is blocked, so the only light there is the (cool) light from the sky!

Deep blue would look good there, except there’s also reflected light bounce off the other walls of the canyon, so that would warm up the shadow area.

LT


#4

The warm and cold rule is a bit too simplified. To really understand how it works, you’ll have to think like this:

  1. There are usually a main light source and an ambient light source. The ambient light source can be a seperate independent light source, or it could just be the main light source reflected off of various environment surfaces.

  2. The main light source and the ambient light source could either be the same color, or different colors, depending on what the ambient light source is. Examples:

-If you have a strong pale amber main light source that’s from the sun outside the window, shinning directly onto a person standing right by the window, then that’s a warm main light source. The sunlight will also bounce around the room (floor, walls, ceiling…etc) and that becomes ambient light, and will light the shadow side of the person. If the entire room is painted a neutral color like white, then the ambient light will remain warm, because it’s simply the main light reflected off of a white environment.

-If the room is painted a different color–for example blue, then when the main sunlight comes into the room and bounces around, what reflects back to the person’s shadow side will be blue (and since the main light itself has some amber in it, that amber will mix in with the blue a little). To make it a bit more complex, if there is a lamp inside the room and it’s a red colored lamp, then you’ll get red mixed into that blue (and the little bit of amber) on wherever the red lamp’s light rays will reach.

The best way to think about light/shadow color relationships is this: The shadow side of the object isn’t receiving the direct light, but it is receiving EVERY OTHER LIGHT SOURCE–be it bounced ambient light or another weaker light source, and whatever colors those are, the combined result is your shadow color.


#5

That’s a good way of summing it up lunatique. The only thing I’d add would be that you should also consider the actual color and surfaces of the room in which light is reflected - more so if the light is more diffuse and bounced around more. If you’re working in a room with… let’s say pink wallpaper (as I’m doing right now on a film I’m DPing) shadows will all have a bit of a pinkish tint that is simply a product of light reflecting off the walls into the shadows. It can be a little annoying actually…

-Colin


#6

I did. Read what I wrote again. :smiley:


#7

lol This is when you know it’s time to go to sleep.


#8

Thank you guys! That is very helpful! Lunatique’s analysis entirely came to my expectations, because i prefer a bit of science explanations:] Thanks, it helps in some color relations, but still painting doesn’t become much easier after knowing such things. Greets!


#9

I’ve read that if you make the shadows the complimentary color of the main light source it will “deepen” the image making depth more visually translatable…


#10

For those wanting to delve a little deeper into color and light theory, do you guys recommend any books? I think that’s one area that will take my images that extra step I’ve been looking for.

EDIT: Alright…strike that. Should’ve read the sticky’s first. My bad. :slight_smile:


#11

I just finished reading this book. It’s very good. I recommend it.

Color Theory Made Easy

http://www.amazon.com/gp/product/0823007545/103-4735475-7543810?v=glance&n=283155&n=507846&s=books&v=glance


#12

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