razz-- Not sure what you mean by ‘like me’, your sketchbook thread seems pretty free… I’ll dig in it more.
Rebecca-- And then I get flashes of Bill and Ted, and Beethoven (rhymes with beef oven) going nuts with synthesizers, Attila the Hun whacking people with baseball bats, and Socrates giggling wildly. …Michelangelo putting spraypaint graffiti over half a town, DaVinci busting in on the Mythbusters show and waving his arms a lot… my brain goes weird places.
ANYWAY! Something a little different this time…
020:


Again with the beaky-faced red hat man! Although checking the titles now, I see this one is Pope Benedict XIII, as was the last one, but the other beaky doods were all somebody else. How many guys with that nose can there be? Maybe it was fashionable at the time.
I got about halfway through this one, then decided I was getting pretty stale on the nitpicky shading and relying too heavily on my grids. I was very happy with the sense of accuracy I got in the last piece, but obsessing on technical nitpicking is eating a lot of time and not serving the more active practice I’ve been wanting to get.
So I hid the grid and started over with a blank layer, sketching loosely, trying to get a little more personality to it… this particular sculpture looks to me like some creepy cross between a turtle and a baby-thing, all sortof hunched over with big bulbous head and eyes and squishy body, blandly sulking about something. Then I turned my shading layer back on again, underneath, and resized the freehand sketch till it sat right, and actually from what I can tell it fits surprisingly good, so I set the sketch to Overlay, slapped in a little more shading on the shoulders, and called it done. I think I’m getting a little more confident with the tablet finally.

