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Old 01-23-2006, 10:19 PM   #61
redehlert
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David Ehlert
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well i think i just piddled in my pants looking at that painting. couldn't find anything more difficult than this, eh, RK?
okay, well i think i'll be in on this one....be nice to do a study rather than a creature and character over in CA.org.
cheers!
d
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Old 01-23-2006, 10:20 PM   #62
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Quote:
Originally posted by Dave: well i think i just piddled in my pants looking at that painting. couldn't find anything more difficult than this, eh, RK?
okay, well i think i'll be in on this one....be nice to do a study rather than a creature and character over in CA.org.

Yeah! Go Dave!

Slowly we will convert you!

Cheers,

~Rk
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Old 01-23-2006, 10:23 PM   #63
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David Ehlert
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Never!! Moohohahaha.
BTW, I'll be reading through the material this eve and get back to ya.
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Old 01-23-2006, 10:24 PM   #64
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Party pooper! Or, as they say in Bawston...Pahty Poopah!

Just kiddin' ya, Davetastic. Glad to have you aboard.

Cheers,

~Rk
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Old 01-23-2006, 10:41 PM   #65
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Quote:
Originally Posted by fooxoo
Ok,cause I REALLY like this painting, and reading the acutal literary work was not that bad and it was quite interesting, I am trying to do this one too :P In pencil. This is on A3 size page, this basic outline took about 2 hours to do. Sorry for the bad scan, I had to stitch it as itwontfiton the scanner, and the pencil lines are very light...

http://img385.imageshack.us/img385/...ntitled16ci.jpg


Great beginning fooxoo, I normally work in pencil and plan on starting this one in pencil on a 24 X 36 tonight. If everything goes well, I just might use watercolor pencils to finish it off.

Gees, everyone is off to a great start. I am just getting off work so I will go home now and play catch up!

See y'all in the morning!
 
Old 01-23-2006, 11:44 PM   #66
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GLENN GALLEGOS
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Hi Rebecca and Everyone
Step #1 Used broad tinting brush, Painter 9
Very quick broad strokes, flowing with motion and emotion
Just trying to get a oneness that is full of energy and
true to the composition
Motion, emotion, oneness, energy
These are the most important aspects of this painting and are its nature or essence.
for lack of better words.
Its these aspects that make it such a powerfull piece, I think.
If I can capture those aspects right from the start, they will always be there
in the underpainting and will shine through in the finished painting.
Hopefully
Step #2 will be to refine and clarify forms without losing the above-mentioned
key or base elements, hopefully
Take Care
Glenn


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Old 01-23-2006, 11:44 PM   #67
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Can you post the link here, and if it's cool I'll add it to the first post?


Rebecca, for your consideration : http://home.att.net/~hoo10/Bouguereau/lavague.jpg.
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Old 01-23-2006, 11:53 PM   #68
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Pinoy McGee,

I have that image saved to my hd for a future OFDW as well ~ the thing is, I don't want to use too many of these beautiful images in any one OFDW, as then people won't have time to work on both, when they really might want to ~ and I don't want to have a big backlog of repeating images throughout the OFDWs. I totally agree with you that this is a beautiful image, which is why I'd like to save it for later, when we can all work on it together...well, what does everyone else think?

Cheers,

~Rebeccak
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Old 01-24-2006, 12:27 AM   #69
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just a quick start to get positions mentaly placed and understand the compositional flow of eyes, limbs, etc.
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Old 01-24-2006, 12:29 AM   #70
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Nice gestural start, Davety Dave! Me needs to get crackin'...

Cheers,

~Rk
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Old 01-24-2006, 12:44 AM   #71
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U guys are fast here is my wip
 
Old 01-24-2006, 12:57 AM   #72
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Quote:
I have that image saved to my hd for a future OFDW


Oh, okay. I can wait
 
Old 01-24-2006, 01:14 AM   #73
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Er...sorry to be an update whore I'm just painting away, "in da zone" so to speak :P

 
Old 01-24-2006, 01:14 AM   #74
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Quote:
Originally Posted by Elsie
Er...sorry to be an update whore I'm just painting away, "in da zone" so to speak :P



Damn nice progression Ailsa.
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Old 01-24-2006, 01:18 AM   #75
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Just a quick analysis... just watch the side of the victim's head. You're showing a little more of that area than in the reference. See how his nose obscures most of his left side?

I know you haven't painted that bit yet, I just thought I'd point it out in passing. You're probably WAY ahead of me anyway.
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