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Old 10-04-2007, 08:21 PM   #46
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Hi all! I would like to thanks Magdalena for this amazing workshop and Rebecca for the spotligh, the all talented and gifted artists that displayed/shared their work, methods, ideas and suggestions turning this is a very happy and fun experience for me. Awaiting for the next one! Cheers!
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Last edited by Dalton-Muniz : 10-04-2007 at 08:28 PM.
 
Old 10-04-2007, 08:41 PM   #47
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I should note that for those of you interested in future Workshops, I recommend subscribing to this thread:

Notification of New Open Figure Drawing Workshops / + TUTORIALS - SUBSCRIBE HERE!
http://forums.cgsociety.org/showthr...51&page=1&pp=15
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Old 10-05-2007, 06:45 AM   #48
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step back with your words ...eles its on your face,

Quote:
Originally Posted by Carnildo
I think at some point we all have to step back and ask if we are adding detail for detail's sake, or are we using deliberate, well-considered artistic judgement to effectively communicate the intended result.

I challenge you to tell me why lots of wrinkles and pores indicate "quality". Are you responding to the "artists" facility with tools, or are you applauding the quality of the images design.?

I challenge the artists to exlpain their intent. Is it to create images of hellishly disfigured people or are you simply trying to make them look "real"? If it is the former, I would judge your effort successful. If it is the later however, I would have to say you have failed utterly, that you have confused infinite detail with realism.


step back with your words Carnildo ...eles its on your face, hence life is full of reflections.
get a life, now on. do not comment with out any constructive ness, pls have some generousness with good few artist like thease who share there vauable experience and knowledge.
 
Old 10-05-2007, 05:33 PM   #49
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Giorgio Luciano
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As already said in the thread great work to all. Magadalena if you will do some course I will be willing to partecipate and hope to improve the quality of my work to be in the highlight next time. Patience patience patience.... I think that is the way for the artist
 
Old 10-05-2007, 10:35 PM   #50
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Wow, some of those images are superscary. Great work all around! The image by Antropos is really exquisite, must be one of my all-time favourites. Would work well in some subdued coloring too.

cheers,
CML
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Old 10-06-2007, 10:22 AM   #51
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Hey Rivendale,

thank you so much man. Your work is awesome! Very creative and perfectly executed.

Respect,
-Kris
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Old 10-06-2007, 12:05 PM   #52
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and BTW can someone share some tips about eyes ?
 
Old 10-06-2007, 07:18 PM   #53
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oh my goodness

impressive work brilliant
 
Old 10-06-2007, 07:26 PM   #54
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Quote:
Originally Posted by jojo1975
and BTW can someone share some tips about eyes ?


try using subtools. Just adding perfect spheres could do the trick.
some other little advice on your work: stay in lower subdivs to make the overall shape better. Whenthe overal shape is correct you can move up one level. Moving down one or more levels is always possible when there is need for fixing big shape issues.
And you need to keep looking at reference. Study the human shape, skulls, bones and musscles to know what the shape needs to be.

Also try and use a different material to scupts with. The red clay material (the standard one) makes it really hard to see your details when you have a high subdiv.

and lot's of practice ;-)
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Old 10-07-2007, 12:41 AM   #55
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Great works, so much gifted modellers !! Alex and Antropus ,more I see , more I love...
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Old 10-09-2007, 01:23 PM   #56
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Hey Antropus, thanks for the comment about my work! Keep up the great work!

cheers,
CML
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Old 10-09-2007, 09:25 PM   #57
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WOW!

Awesome work to everyone!! This is amazing!
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Old 10-20-2007, 09:42 PM   #58
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Damn, really sorry I missed this. There's been some fantastic models done for this, I'd loved to have taken part.
 
Old 11-21-2007, 11:52 AM   #59
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fabulous model! I can't imagine how long just one piece will take.
 
Old 11-21-2007, 11:52 AM   #60
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