(FLASHBACK) Lighting Challenge #5: Under The Boardwalk

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  08 August 2012
Just had confirmation from Vlado @ chaosgroup that the 'bubble' is indeed only required to return the correct fog result for the water, if you're not using refraction fog for your water (in vray) then you dont need the bubble, although you will still need a relatively wide angle camera to capture the snell window

Ant
 
  08 August 2012
Originally Posted by afraine: Just had confirmation from Vlado @ chaosgroup that the 'bubble' is indeed only required to return the correct fog result for the water, if you're not using refraction fog for your water (in vray) then you dont need the bubble, although you will still need a relatively wide angle camera to capture the snell window

Ant

That's really great, thanks a lot for your help. Now we can move on with correct settings without eyeballing it.
 
  08 August 2012
No probs, happy to help

"If you know it, share it!"
 
  08 August 2012
Thumbs up

Hi guys, i will put a tutorial together that shows step by step how i have set my scene up thus far.Then we can compare notes and grow together

For those interested, here is an animated short film that takes place underwater.I was responsible for the lighting, shading, rendering and compositing.It's stylised, but it might serve as inspiration

http://vimeo.com/19475041

Will get cracking on the tutorial soon.

Cheers,

Ben.
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  08 August 2012
Smile

Hi guys, here is a breakdown of my scene so far.I use Lightwave 3d, but the aim of this breakdown is that it might share some ideas that could be used in any 3d package.I love working in Lightwave, it's very user-friendly and the tools are easy to comprehend and use.For those of you that might be interested, i have added a link to an interview that 3D World Magazine had with me on the use of Lightwave in our animated short film, "Hooked", which also takes place underwater.
http://i1241.photobucket.com/albums...okedArticle.jpg

I would like to point out that this is not the final layout that i'm using for my scene.I start off with a basic scene so that my test renders go nice and fast and when i'm happy with the general lighting setup, i move on to adding additional geometry detail.

Something that definitely helps alot is if we get some good reference of an underwater environment that's more or less like the scene that you want to achieve.Study the physical properties of what you see.I found it useful to write down specific elements that need to be achieved.

The first thing that i focused on was the fog volume that obscures our view as we look off into the distance.This definitely helps create the feeling of mass that the water has, water is transparent, but it has all sorts of tiny bits of plant matter and little grains of sand that the current could quite possibly have scooped up from the riverbed.

In this image we have the distance fog that i added for the general water mass.I selected a bluey green colour, purely because i find it aestheticly pleasing.You can do your own colour based on your taste.Not everyone will paint the same picture.My ref pic had more of a browny colour to the water mass and less fogginess, but this is now where i take artistic license and tweak it to my own taste.
http://i1241.photobucket.com/albums.../1_Dist_Fog.jpg



My environment fog was created in 2 passes, one for the water mass and one for the riverbed floor, where i have ground fog to try and subtly give the idea of soil sediment being present in the water.
http://i1241.photobucket.com/albums...il_Sediment.jpg


And here are the two fog layers combined.
http://i1241.photobucket.com/albums...ombined_Fog.jpg


Here are my settings for the fog in the screen capture.
http://i1241.photobucket.com/albums...og_Settings.jpg

And here are my settings for the water surface.The settings were boosted a bit and also tweaked not according to scientifically correct settings, but settings that i think looks artisticly pleasing.The settings were pushed so that the water still looks right through the fog, with my standard settings the water looked somewhat dull, but amping it up to taste kept the water looking right.Bump was added to the water surface, a procedural turbulence texture within Lightwave.I did find however that the bump wasnt enough to make my specular light react properly with the water surface.I then added the procedural texture as displacement to the water surface and voila!
http://i1241.photobucket.com/albums...er_Settings.jpg

I hope this information is of some use to you guys, please let me know if there is anything that's not clear or sounds strange If there is anything else anyone would like me to share please let me know, i'm not sure if my methods make sense, but i usually use my tools to achieve something that i think looks good, although it might not adhere to certain scientific laws

Thanks guys,

Ben.
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  08 August 2012
Hi Ben, I saw Hooked in 3D world magazine a while back and it took my breath away, the style and execution is awesome!

Glad to have you on board for this challenge, I really like your layered approach as opposed to getting it all in one pass, it really gives the water a sense of depth and scale

Looking forward to seeing your image, we've all got our work cutout to create something even half as good as 'Hooked'

Ant
 
  08 August 2012
@afraine: It seem like I can't get the snell-effect without the bubble (maya/vray) any thoughts on that?
 
  08 August 2012
Hi Niclas, could you briefly explain your setup so I can see what might need to be changed?

Ant
 
  08 August 2012
Glad to see this discussion taking place. You shouldn't have to do anything special to achieve Snell's window. It's simply the way the physics works with the refraction of the sky. That said, the water surface will not inherently achieve this effect without a displacement map and/or bump.

Thanks for the info Cre8! Hope you have time to come up with a final image for the challenge.
 
  08 August 2012
Afraine - thanks for the break down

Visua - the ground fog is really neat. Thanks for sharing.
 
  08 August 2012
Smile

Hi Kanooshka!

Yes, i would really like to achieve a final image for this challenge.Things are a bit hectic at work at the moment,got 3 commercial jobs runnning, so where i can spend some time on it i will.I'm planning on using Lightwave 11's instancing extensively and some Z-brush'ing on the boardwalk legs.

It's so cool to have this forum running, i've looked for other lighting forums, but this is the best one out there in my opinion.Thanks for taking the time to run it

Afraine: Hi mate, you know what, i'm sure your image is going to look great, especially if we see the level of precision you are putting into your research.That shows passion!Keep at it man

Cheers guys!

Ben.
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  08 August 2012
So my setup works as expected in 3ds max(@work with vray), and the same setup fails miserably in vray for maya(mac-version). Interesting
 
  08 August 2012
I also gave the model a crack,
my aim was to make something colorful,
not so much based on actual physical correctness.
It's now much more looking like an aquarium and
not an underwater scene in the wilderness :-)



(Right click and "Open image in new window" for a 1280x720px preview)

Made with C4D and Photoshop.
 
  08 August 2012
Is anyone getting corrupted uv issues with the .ma and .obj files?
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  08 August 2012
Thumbs up

Hi everyone!

Some really nice pictures here...

Heres my try using maya (MtoA) its still wip but I wanted to try out some postproduction using Nuke (color corrections, fx)

..hope to post another more fine tuned version soon

 
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