|06-23-2005, 02:40 AM||#1|
Leigh van der Byl
A cog in the wheel
Hertfordshire, United Kingdom
Join Date: Feb 2002
Meet the Artist: Nick Pugh
Lead Concept Artist
Rhythm and Hues
Concept Designer Nick Pugh has been pursuing originality in the fields of vehicle and entertainment design for over 15 years, and currently works as a lead Concept Artist for visual effects studio Rhythm and Hues, where he creates original character, vehicle, FX and production design for feature films, commercials and print.
Recent film credits include: [iThe Lion, the Witch and the Wardrobe, Skeleton Key, Serenity, The Ring 2[/i] and Garfield.
He also designs and builds unique concept cars that explore the limits of what is possible as well as pursuing a myriad of other artistic endeavors. His work can often be seen in books and media publications.
Nick has received numerous awards for his work including, most recently, the master award for transportation in Expose 3.
Post your questions or request for critique
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|06-23-2005, 03:50 AM||#3|
Japan Famous Game Industry
hi mr. nick i like ur design conceptual design stuff specially the vehicles tottaly cool'
er' heres my quicky Q. sir
- hows life being a lead Concept Artist in a entertainment design industry?
- since im a fan of jim davis how about ur experienced in
Garfield the movie include Scooby Doo how is it becoming one of the instrumental of the designs concepts the animation' etc..
- i love ur cars concept wow! did u try to work for warner brothers "BATMAN" movies?
congrats to u and more power!
|06-23-2005, 04:52 AM||#4|
your work has been really truely amazing and inspiring for everyone. ive got a just a couple of questions to ask.
1. i am really curious to know wich app u use in most of your work.
2. 15 years is a long time to spend in a industry. where do u find your self standing in the cg
world after spending such a huge period in it. do u think u have acheived what u aimed for
or not yet.
|06-23-2005, 04:57 AM||#5|
Join Date: Apr 2005
Hi Mr. Pugh, I would like to thank you for participating and for taking the time to answer out questions.
The Ring 2 wasnt a digitally based film, what kind of work did you do for that movie?
What things do u think about while doing concept work?
What inspired you to get into this field of work?
Thank You Very Much
|06-23-2005, 06:43 AM||#6|
Join Date: Oct 2003
Hi nick love your work your an excellent artist !
1: Are there projects you know your going to love to work on and projects that make you say " man not this stuff !!"
2: How much concept art are you expected to create daily say at the level of the Dino creature up there ? Or maybe you can break down how much is expected from you and how fast you typically have to work .
3: Are there R&H clients that ask for you specifically when they are in the design process ?
4: Do you work mostly digitally these days or do still do a lot of traditional media ?
5: What's your biggest motivator for staying in films as opposed to say visual development for Video Games or Animation for example.
6: Were you nerveous when you first started doing this line of work ? Did you ever have times when you thought you might fail ?
|06-23-2005, 06:44 AM||#7|
...out of this world!portfolio
I did a fast look at your website... really impressive work you did the last 15 years
I just got one little question... did you study anything for doing this job?
|06-23-2005, 07:12 AM||#8|
Warwick, United Kingdom
Join Date: May 2003
You seem happy working in a variety of media and styles - do you find it a positive or a negative thing that you don't have an instantly recognisable 'style', in the manner of say Craig Mullins or Feng Zhu? Is this helpful when working on such a wide range of projects?
My Spectacular Entry
|06-23-2005, 08:53 AM||#9|
Join Date: Dec 2003
First of all: RESPECT to you man! I've had a nickpugh folder on my hard drive for ages, so this is Q&A just wonderful!
Someone before me asked what you studied to get here, well I'll double that question and upgrade it:
1. What period of your life did you learn the most? Was it from someone, or mainly by yourself?
2. Who's/what's your inspiration?
3. Not a question, but a compliment: I think that your art is so fresh in so many ways, and it doesn't matter if it's not "recognizable" at once like someone mentioned earlier. That just means you've got lot's of styles and sides as a person/designer.
4. What are your goals in life/ work?
Thank you for taking the time to do this! It means so much to our community!
Thanks for inspiring.
|06-23-2005, 09:57 AM||#10|
Join Date: Aug 2004
Hi Nick. Actually, i didn't know you til see this thread, but i searched about you, looked your site and very liked your works.
I wonder how improved your vision and do you have any tutorial dvd or media
Finally, do you have favorite concept artists?
Very thanks for sharing your knowledge
Last edited by APD-Jack : 06-23-2005 at 10:01 AM.
|06-23-2005, 10:04 AM||#11|
its in the mindportfolio
Rhythm and Hues
New Delhi, India
Hello Nick, nice to see you here. I want to know if youre into animation of vehicles as well. If yes, can you give me some pointers about where to start for animating a car according to physics laws ?
Believe you can, believe you can't. Either way you're right
|06-23-2005, 11:13 AM||#13|
Join Date: Jul 2004
Nick, your art is full of imagination and inspiration!
The posibility of working as a concept artist on a C.S.Lewis film has been a goal of mine ever since I found out they were making the LWW. I see that you have had the pleasure of doing this.
I am 29, have been teaching myself concept art for just under a year and have been able to get a fair bit of freelance work... I consider my art to be just above average and I'm learning fast. My question is, do you think it's worth while me going to Uni to get formal training, or should I continue to learn from my freelance work. Would a studio such as R&H's consider someone with no degree for working on film concepts etc?
Thanks so much! keep up the great work - Jez
|06-23-2005, 12:24 PM||#14|
Snooze and keep the dream
Join Date: Jul 2004
Your art is so varied and from another world. I purchased your first DVD and was really inspired from watching you work but mainly from the way you described your workflow. Just wanted to let you know that there is another realm, another layer so to speak. It is hard to reach but innocence and clarity is the only way. If you have ever looked into the world of seeing auras I think you would be very interested. My fiancee sees colours around people's heads, and she has taught me a gift of feeling colours. It is a strange sensation to feel a visual. No real question, I just wanted to confirm to you that there is a collective consciousness and it is possible to actually see it. keep up the amazing work.
You know you have been doing 3d too long when you cut your chicken breast against the grain and think..."man that's bad edge flow!"
|06-23-2005, 03:23 PM||#15|
YOU'VE DONE SOO MANY COOL PROJECTS ..AS AN ARTIST ARE THERE ANY PROJECTS FROM THE PAST THAT YOU FANTASIZED ABOUT DOING?
Your work is awsome....
I need some help with the themes going for my modeling reel
so far i got the typical warrior girl and a camel as a wip....any suggestions on
Last edited by THECLYKE : 06-23-2005 at 03:37 PM.
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