Grand Space Opera 2D Entry: Tranchefeux

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  11 November 2004
Line Art: The grid of prospect.

_ To this stage of my work, it himself prove to be essential to make a
grid of prospect to end to can place and build correctly the other
element of my project, I it be build in me fix on my drawing of the
first two first structure, I it be accentuate to maximum in order to
give the most de size possible with my element, This technique be very
old and very effective, because it make it possible to draw freely, a
once the grid semi of place it be enough to this fix above. Have can
study the practical application by léonard de Vinci in his unfinished
table "L'adoration des Mages" or have it can clearly see all its
construction of prospect.

A ce stade de mon travail, il s'avère indispensable de faire une grille de perspective à fin de pouvoir placer et construire correctement les autres éléments de mon projet, je l'est construit en me calant sur mon dessin des deux premières structures, je l'est accentué au maximum afin de donner le plus de grandeur possible à mes éléments,
Cette techniques est très ancienne et très efficace, car elle permet de dessiner librement, une fois la grille mi en place il suffît de ce caler dessus.
Ont peux étudier la mise en pratique par léonard de Vinci dans son tableau inachevé "L'adoration des Mages" ou l' ont peut voir clairement toute sa construction de perspective..

  11 November 2004

Now that I have make my grid of prospect and more or less to
decide final framing, I continue work on the creation of the other
elements of my project, I have an idea rather clear on the ballet of
the structures which evolve/move in the space ordered by dancers
located on scenes, I can imagine that they are equipped with sensor to
give the movements to the structures in real time, the whole assisted
by engineer which controls the good course of operation on the
decorations surrounding my ideas are vaguer, for the moments..... I to
date appreciate the idea of verticality of the things....

Maintenant que j'ai fais ma grille de perspective et décider plus ou moins du cadrage final, je continue le travail sur la création des autres éléments de mon projet,
j'ai une idée assez clair sur le ballet des structures qui évoluent dans l'espace commandé par des danseurs situé sur des scènes, je peux imaginer qu'ils sont équipés de capteur pour donner le mouvements au structures en temps réel, le tout assisté par des ingénieur qui contrôle le bon déroulement des opérations.
sur le décors environnant mes idées sont plus flou, pour l'instants,..... j'apprécie à ce jour l'idée de verticalité des choses....

  11 November 2004
Hi! just wanted to say i like all the details in your last scetch :-) very very nice. :-) will follow this thread and se how the progress will go :-)
god luck! :-D
  11 November 2004
Hey Hey,
nice development! Your additional surrounding underlines the bigness of the fighting main-characters. Your grid technique looks a bit confused to me but it seems to simplify your work obviously.
  11 November 2004
Hi Again , just visited your website your DAMN GOOD at 2D!

  11 November 2004 have a winning concept here!!!
Nova Celestia II

  11 November 2004
i love all this rich detail you have there...could you plz tell me size of paper and type of pencils you are using?? because my technique actually evolved to counter-balnce tha need for huge paper sizes for my broad pencil strokes..., but i still prefer sketchung on paper
  11 November 2004
Amazing piece!

Hi there
You have one of the most original piece around. I like a lot the surreallistic-gothic felling. Say, are you thinking to place some human character? I think it could enphasize the size of the buildings and humans allways take an important part in space opera stories. I eas just imagining some strange lord of this gothic place. Amazing piece! I cant wait to see the color work.
  11 November 2004
Wow, that's a really interesting and wonderful start to this challenge, Tranchefeux! I love the architectural feel to it, it's very solid. I do wish there was a tad more clarity to the piece overall, but I'm betting that's partly due to the compression. Can't wait to see the final piece,

I should write something funny or poignant. ... ... ... I got nuthin'.
  11 November 2004
Quel courage de faire cette pers. à la main ! TU n'utilises pas la 3D pour ce genre de besogne ? Personnellement c'est ce que je vais faire, je n'ai pas ton courage, je suis un paresseux..j'ai trop peur de devoir tout changer si mon angle de vision vient à changer...en tout cas bravo pour ton crayonné...(un peu de français de temps en temps ça fait pas de mal...bon allez je traduis...enfin, j' te moque pas stp..... argh).

What a courage to do this perspective by hand. Don't you used 3D for that sort of labor ? Personnaly that's what I gonna do, I haven't your courage, I'm a lazy man....I"m too afraid to have to change everything if my focus moves...anyway, congratulations for your sketch...(some french speaking from time to time isn't, I translate...well..I try...don't make fun of me please...)

mitakuye oyasin
  11 November 2004
The detailing and perspective look great- not much else to say at this point, but it looks like it'll be really amazing.
  11 November 2004
This is great, the piece is going to look amazing. Cant wait for more.....

I create therefore I am....


EON Challenge
  11 November 2004
this is looking better and better, going for that whole godzilla thing?

its looking awsome either way but maybe you can try a bit more scale with the jet pack soliders? anywho just a suggestion keep up the good work.
Yaroslav Kravchenko - Link
Steampunk! - Link
YOU WiERDO! - Spore
  11 November 2004
PauGfx, Moon Dragon, Fahrija, Kaparo, Merlin, Element5. sidchagan,Slav:
Thank you for your last comments and suggestions on my last
post and all my encouragement on your challenges...

No paper, not of pencil, just my shelf and a texture
tinted in photoshop, except for the prospect which I have scanner and
semi in product.....

there is nothing courageous it is only one small prospect
at 3 break points or you traces lines with the rule, but you at a rate
of using the 3d, me I am a "cake" in 3d but I is there to me
seriously... good courage for the continuation of your project which
is announced imposing.
  11 November 2004
still impressive sketch, it has a VERY fine-art-ish feel and the composition is marvelously pompous, but still looks balancedthat's the aesthetic i wanted in mine in the first place, but i had to drop detail level
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