parallax
05-06-2003, 01:49 PM
howdy folks,
I've got a few questions for you compositing people.
We (our school) are producing a fundraiser for a local TV station, wich is going to contain 8+ bumpers, a leader, and a few commercials, to be aired 10 days before the actual show.
All footage is shot on either Digital-S, or Beta-SP.
This is where the problems start.
The material was captured on a media100i system, and when i export clips from the timeline for use in After Effects, it says the footage is upper-field first (i guess that is ok).
the clips are uncompressed quicktimes.
I read that scaling interlaced footage in after effects allows small detail to be lost.
How can i overcome this?
Should i even be seperating my fields in the "interpret footage" dialog box?
There's a graphic overlay in the composition, should these PSD's also be seperated??
I'm a bit confused about the whole field-frame / de-interlacing / seperating thing.
i did the field-order trick in AE, so i seem to have chosen the right field order.
so, to recap, the composition contains a scaled upper-field first quicktime movie (scaled uniformly), and a PSD as graphic overlay.
I rendered the final comp out in a upper-field first uncompressed quicktime, because the source footage was upper-field first.
When i watched it on the broadcast monitor, the fields were all messed up.
when i rendered to frames, it was a lot better. But it needs to be output on BetaSP, so they should be rendered to fields, right?
I'm losing my mind here.
Can someone enlighten me concerning the whole field-frame-interlacing story? when to use fields, and when to use frames?
ps.
i'm in PAL land.
I've got a few questions for you compositing people.
We (our school) are producing a fundraiser for a local TV station, wich is going to contain 8+ bumpers, a leader, and a few commercials, to be aired 10 days before the actual show.
All footage is shot on either Digital-S, or Beta-SP.
This is where the problems start.
The material was captured on a media100i system, and when i export clips from the timeline for use in After Effects, it says the footage is upper-field first (i guess that is ok).
the clips are uncompressed quicktimes.
I read that scaling interlaced footage in after effects allows small detail to be lost.
How can i overcome this?
Should i even be seperating my fields in the "interpret footage" dialog box?
There's a graphic overlay in the composition, should these PSD's also be seperated??
I'm a bit confused about the whole field-frame / de-interlacing / seperating thing.
i did the field-order trick in AE, so i seem to have chosen the right field order.
so, to recap, the composition contains a scaled upper-field first quicktime movie (scaled uniformly), and a PSD as graphic overlay.
I rendered the final comp out in a upper-field first uncompressed quicktime, because the source footage was upper-field first.
When i watched it on the broadcast monitor, the fields were all messed up.
when i rendered to frames, it was a lot better. But it needs to be output on BetaSP, so they should be rendered to fields, right?
I'm losing my mind here.
Can someone enlighten me concerning the whole field-frame-interlacing story? when to use fields, and when to use frames?
ps.
i'm in PAL land.
