Textorius
10-17-2007, 09:50 AM
Hi!
I'm currently working on a 20sek 3d-animated commercial spot going to be aired in Sweden.
Right now I'm in the post production phase and have a couple of questions. First, some background:
The 3D-material's rendered out in multiple layers which are going to be composited with a lot of effects and animation to each layer. The sequences are rendered out in 1024x576 with 50FPS and pixel aspect 1.0. without field render (the fields would probably ruin the compositing phase for me, that's why I rendered in 50FPS instead of fields).
Now to my actual question. When I take the whole thing into compositing, how do I work best with the 50FPS sequence, taking it into compositing, adding all effects and comp.work I need and then finally rendering a 25FPS field rendered PAL ready-to-broadcast sequence?
What's the most common workflow for working with 50FPS non field rendered 3d to 25FPS compositing with fields?
I'm currently working on a 20sek 3d-animated commercial spot going to be aired in Sweden.
Right now I'm in the post production phase and have a couple of questions. First, some background:
The 3D-material's rendered out in multiple layers which are going to be composited with a lot of effects and animation to each layer. The sequences are rendered out in 1024x576 with 50FPS and pixel aspect 1.0. without field render (the fields would probably ruin the compositing phase for me, that's why I rendered in 50FPS instead of fields).
Now to my actual question. When I take the whole thing into compositing, how do I work best with the 50FPS sequence, taking it into compositing, adding all effects and comp.work I need and then finally rendering a 25FPS field rendered PAL ready-to-broadcast sequence?
What's the most common workflow for working with 50FPS non field rendered 3d to 25FPS compositing with fields?
