jazzthief
04-01-2002, 01:07 AM
I've been getting alot of conflicting recommendation when it comes to settings in 3D, comp and video edit/ output.
Usually, I render my Max animation as D1, frames, 30 fps, TGA sequence (just recently SGI due to 16 bit channel support). Then import into After Effects for compositing and render it out as D1, 30 fps, SGI sequence. But recently changed the comp setting to TGA with RLE compression 24 bit (due to a recommendation from a friend). Do I lose any image quality? And edit/ output in Media 100 or Avid Xpress DV as 30 fps. Or is 29.97 suggested??
What's the best methodology for a 3D/ comp/ output setup. This stuff is getting really techie and confusing.
I was planning for the next Max animation to render as D1, 24 fps, frames, SGI sequence. And comp it in AFX as D1 but render as D1 720x486, 3:2 pulldown 29.97 fps, PICT sequence into a non-linear editing package to output to tape. Btw, how do I customize in After Effects a 3:2 pull?
Does this sound right and will I have problems with synching sound?
thanks.
Usually, I render my Max animation as D1, frames, 30 fps, TGA sequence (just recently SGI due to 16 bit channel support). Then import into After Effects for compositing and render it out as D1, 30 fps, SGI sequence. But recently changed the comp setting to TGA with RLE compression 24 bit (due to a recommendation from a friend). Do I lose any image quality? And edit/ output in Media 100 or Avid Xpress DV as 30 fps. Or is 29.97 suggested??
What's the best methodology for a 3D/ comp/ output setup. This stuff is getting really techie and confusing.
I was planning for the next Max animation to render as D1, 24 fps, frames, SGI sequence. And comp it in AFX as D1 but render as D1 720x486, 3:2 pulldown 29.97 fps, PICT sequence into a non-linear editing package to output to tape. Btw, how do I customize in After Effects a 3:2 pull?
Does this sound right and will I have problems with synching sound?
thanks.