Jaist
01-29-2007, 11:52 AM
First i'd like to say hello to all of you people, it's been a while since i started lurking here and it's been a great resource until now. So kudos to everyone.
On to the task at hand now.
I work in a studio that has boujou three as their main tracking app. I've a background in pftrack and continue working with it, but i paired it with boujou to get the best results i can.
We were awarded with some difficult shot to work on, mainly greenscreen stuff with trackers.
Naturally i couldn't get a good first solve of the camera, so i manually tracked the points and then added some auto features on some stuff that showed parallax. Only the parallax stuff is at the beginning and the end of the sequence, with the middle section filled with a closeup of the main actor with barely two trackers showing up.
The movement of the camera on set was a diagonal dolly (facing the actors, starting at not-so-far-left and ending at not-so-near-right) with some panning and tilting of the camera, so i pretended that to be free motion.
Two days later i haven't been able to get a good result after frame 150 :banghead: , and there's 400 of them... any advices? there's always the handtracing method, but id' rather not do that since i have to comp other stuff... Keep in mind that i'm a mainly a compositor and not a matchmover (doing both of em since a year ago), so any advices (even the easiest one) is welcome.
Also, we can use this thread to share techniques about matchmoving since i haven't been able to find one while searching here (i could be wrong tho). It's not fancy stuff like modeling dragons and cute actresses but it's where part of the magic of a shot born ^_^
Thanks again for reading and let's get this thread rolling! :thumbsup:
Max
On to the task at hand now.
I work in a studio that has boujou three as their main tracking app. I've a background in pftrack and continue working with it, but i paired it with boujou to get the best results i can.
We were awarded with some difficult shot to work on, mainly greenscreen stuff with trackers.
Naturally i couldn't get a good first solve of the camera, so i manually tracked the points and then added some auto features on some stuff that showed parallax. Only the parallax stuff is at the beginning and the end of the sequence, with the middle section filled with a closeup of the main actor with barely two trackers showing up.
The movement of the camera on set was a diagonal dolly (facing the actors, starting at not-so-far-left and ending at not-so-near-right) with some panning and tilting of the camera, so i pretended that to be free motion.
Two days later i haven't been able to get a good result after frame 150 :banghead: , and there's 400 of them... any advices? there's always the handtracing method, but id' rather not do that since i have to comp other stuff... Keep in mind that i'm a mainly a compositor and not a matchmover (doing both of em since a year ago), so any advices (even the easiest one) is welcome.
Also, we can use this thread to share techniques about matchmoving since i haven't been able to find one while searching here (i could be wrong tho). It's not fancy stuff like modeling dragons and cute actresses but it's where part of the magic of a shot born ^_^
Thanks again for reading and let's get this thread rolling! :thumbsup:
Max
