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View Full Version : Set Visit: Sky Captain and the World of Tomorrow


RobertoOrtiz
01-31-2004, 05:42 PM
Quote:
"During a recent visit to the "set" of Sky Captain, CountingDown was shown more than half an hour of dazzling footage unlike anything ever seen on a movie screen. Stars Jude Law, Gwyneth Paltrow, Angelina Jolie and Giovanni Ribisi fully interact with stylish noir drawings depicting a 1939 New York City. A blimp (humorously dubbed the "Hindenberg III") docks alongside the Empire State Building and unloads passengers onto the roof; giant metallic robots fly through the sky like fighter jets, then walk down the street zapping buildings with laser eye beams; the Sky Captain (Law) and reporter Polly Perkins (Paltrow) fly a fighter plane in a dizzying sequence as they try to escape robotic planes that flap their wings like birds; squiggly-armed robots, monsters, and miniaturized animals are also glimpsed at various workstations throughout the tour. "

"During the screening certain scenes are run uncompleted, showing just how simple the brothers Conran (Kevin is the Production Designer) have made it to shoot a blockbuster movie. Footage is shown of Paltrow and Law walking across an empty soundstage between some potted plants that look like they were purchased at the Home Depot - soon, there will be a lush tropical forest there. In another scene, Sky Captain lands his plane on the dirt of a floating platform: all we can see is Law looking at the computer blueprint of what seems to be a tremendously ambitious set. One animator giddily shows off a program that required them to shoot footage of an elephant, then manually impose a skeleton on that footage, and now allows them to move the animal in any way they desire; another has a clay sculpting program that lets him mold his subject with the wave of a wand; another shows off an explosion in a complicated shot and laughs: "We went to the mountains and set off some fireworks, and just filmed it." Imagine a whole world of kids filming fireworks and potted plants, then loading them into the Macs in their garages, and you begin to have an idea of where the next Scorsese might be coming from."

>>link<< (http://www.countingdown.com/features?feature_id=3344565)

-R

DirtySkillet
02-01-2004, 04:21 AM
For some reason, this movie looks very cool!! I dunno why, but it does. Very exited to see what this will turn out to be.

gjpetch
02-01-2004, 11:46 PM
"shoot footage of an elephant, then manually impose a skeleton on that footage, and now allows them to move the animal in any way they desire"
"another has a clay sculpting program that lets him mold his subject with the wave of a wand"

Pretty funny.....

RobertoOrtiz
02-02-2004, 04:10 PM
Here is another set visit:
Quotes:
"After taking a gander at an animated six minute presentation made by CalArts grad Conran, he knew he had found something special. “I thought it was a really fascinating piece of film. It was shot all digitally. It was shot all on bluescreen. And he manipulated it on his Apple computer, literally in his garage, and it created these images. And I went, “Wow!” It was just a level of sophistication – you saw the shots. So, I was responding to that level of design, which I thought was quite impressive"

"With a script in place, it, um, *wasn’t* time to cast. According to Avnet, “The notion was (Kerry) would shoot the entire movie before we went with our actors on a bluescreen with basically extras, and storyboard what he was going to shoot, and then cut it in a kind of crude animatics of the entire movie. So, in fact, storyboarding the entire movie, shooting the entire movie before we ever put any actors in. And he did it.” With the skeleton of the film in place, it was then time to supply the vital organs; i.e. the actors, which is when one Avnet made one of the project’s key decisions. “Whereas (Kerry) wanted to do it as a very, very small film, I thought, ‘Well, why don’t we try to get really great actors?’ Because usually, with all due respect, a lot of these big movies tend to either have new actors, or you don’t tend to get actors who are really refined actors.” As a result, they turned to the actor with the initials J.L. who doesn’t conjure memories of infamously bad bluescreen acting, Jude Law, which in turn attracted the likes of Paltrow and Jolie. "

>>link<< (http://www.aintitcool.com/display.cgi?id=16914)

-R

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